By 1942, when Caroline was twenty and (1) ... the life of a middle- aged matron for three years, she was so desperate that she was seriously planning to run away. She (2) ... reading (although she (3) ... what was almost an addiction to women’s magazines, her favourite being Woman & Beauty), she hated sewing, and her only real pleasure was playing the piano. She (4) ... quite a talented pianist at school, and (5) ... several medals at classical musical festivals, but it was not the music of Chopin and Bach and Brahms that filled the house now, but songs from the hit parade. ‘In the Mood’ was to be heard particularly frequently coming from the music room. Caroline (6) ... that she was growing a little tired of the tune; Jacqueline (7) ... both hands cut off rather than stop playing it at length daily after that. She had very few opportunities for revenge.

By 1942, when Caroline was twenty and (1) ... the life of a middle- aged matron for three years, she was so desperate that she was seriously planning to run away. She (2) ... reading (although she (3) ... what was almost an addiction to women’s magazines, her favourite being Woman & Beauty), she hated sewing, and her only real pleasure was playing the piano. She (4) ... quite a talented pianist at school, and (5) ... several medals at classical musical festivals, but it was not the music of Chopin and Bach and Brahms that filled the house now, but songs from the hit parade. ‘In the Mood’ was to be heard particularly frequently coming from the music room. Caroline (6) ... that she was growing a little tired of the tune; Jacqueline (7) ... both hands cut off rather than stop playing it at length daily after that. She had very few opportunities for revenge.

By 1942, when Caroline was twenty and (1) ... the life of a middle- aged matron for three years, she was so desperate that she was seriously planning to run away. She (2) ... reading (although she (3) ... what was almost an addiction to women’s magazines, her favourite being Woman & Beauty), she hated sewing, and her only real pleasure was playing the piano. She (4) ... quite a talented pianist at school, and (5) ... several medals at classical musical festivals, but it was not the music of Chopin and Bach and Brahms that filled the house now, but songs from the hit parade. ‘In the Mood’ was to be heard particularly frequently coming from the music room. Caroline (6) ... that she was growing a little tired of the tune; Jacqueline (7) ... both hands cut off rather than stop playing it at length daily after that. She had very few opportunities for revenge.

By 1942, when Caroline was twenty and (1) ... the life of a middle- aged matron for three years, she was so desperate that she was seriously planning to run away. She (2) ... reading (although she (3) ... what was almost an addiction to women’s magazines, her favourite being Woman & Beauty), she hated sewing, and her only real pleasure was playing the piano. She (4) ... quite a talented pianist at school, and (5) ... several medals at classical musical festivals, but it was not the music of Chopin and Bach and Brahms that filled the house now, but songs from the hit parade. ‘In the Mood’ was to be heard particularly frequently coming from the music room. Caroline (6) ... that she was growing a little tired of the tune; Jacqueline (7) ... both hands cut off rather than stop playing it at length daily after that. She had very few opportunities for revenge.

By 1942, when Caroline was twenty and (1) ... the life of a middle- aged matron for three years, she was so desperate that she was seriously planning to run away. She (2) ... reading (although she (3) ... what was almost an addiction to women’s magazines, her favourite being Woman & Beauty), she hated sewing, and her only real pleasure was playing the piano. She (4) ... quite a talented pianist at school, and (5) ... several medals at classical musical festivals, but it was not the music of Chopin and Bach and Brahms that filled the house now, but songs from the hit parade. ‘In the Mood’ was to be heard particularly frequently coming from the music room. Caroline (6) ... that she was growing a little tired of the tune; Jacqueline (7) ... both hands cut off rather than stop playing it at length daily after that. She had very few opportunities for revenge.

By 1942, when Caroline was twenty and (1) ... the life of a middle- aged matron for three years, she was so desperate that she was seriously planning to run away. She (2) ... reading (although she (3) ... what was almost an addiction to women’s magazines, her favourite being Woman & Beauty), she hated sewing, and her only real pleasure was playing the piano. She (4) ... quite a talented pianist at school, and (5) ... several medals at classical musical festivals, but it was not the music of Chopin and Bach and Brahms that filled the house now, but songs from the hit parade. ‘In the Mood’ was to be heard particularly frequently coming from the music room. Caroline (6) ... that she was growing a little tired of the tune; Jacqueline (7) ... both hands cut off rather than stop playing it at length daily after that. She had very few opportunities for revenge.

By 1942, when Caroline was twenty and (1) ... the life of a middle- aged matron for three years, she was so desperate that she was seriously planning to run away. She (2) ... reading (although she (3) ... what was almost an addiction to women’s magazines, her favourite being Woman & Beauty), she hated sewing, and her only real pleasure was playing the piano. She (4) ... quite a talented pianist at school, and (5) ... several medals at classical musical festivals, but it was not the music of Chopin and Bach and Brahms that filled the house now, but songs from the hit parade. ‘In the Mood’ was to be heard particularly frequently coming from the music room. Caroline (6) ... that she was growing a little tired of the tune; Jacqueline (7) ... both hands cut off rather than stop playing it at length daily after that. She had very few opportunities for revenge.

An eco-tourism project (1) ... a difference has just been launched in the South Luangwa National Park in Zambia. Tourists will be offered (2) ... chance to encounter a wide range of wildlife and (3) ... great deal more. This project was set (4) ... by the local villagers who were suffering (5) ... a downturn in the national economy. They decided to raise money themselves to cover the cost of educational and welfare projects. Tourists will be invited to live the African Village Experience. The tours are led by English speaking villagers, and visitors can choose (6) ... activities such as meeting the local healer to taking part in cooking or farming. Visitors are also offered (7) ... option (8) ... staying the night in the village.

An eco-tourism project (1) ... a difference has just been launched in the South Luangwa National Park in Zambia. Tourists will be offered (2) ... chance to encounter a wide range of wildlife and (3) ... great deal more. This project was set (4) ... by the local villagers who were suffering (5) ... a downturn in the national economy. They decided to raise money themselves to cover the cost of educational and welfare projects. Tourists will be invited to live the African Village Experience. The tours are led by English speaking villagers, and visitors can choose (6) ... activities such as meeting the local healer to taking part in cooking or farming. Visitors are also offered (7) ... option (8) ... staying the night in the village.

An eco-tourism project (1) ... a difference has just been launched in the South Luangwa National Park in Zambia. Tourists will be offered (2) ... chance to encounter a wide range of wildlife and (3) ... great deal more. This project was set (4) ... by the local villagers who were suffering (5) ... a downturn in the national economy. They decided to raise money themselves to cover the cost of educational and welfare projects. Tourists will be invited to live the African Village Experience. The tours are led by English speaking villagers, and visitors can choose (6) ... activities such as meeting the local healer to taking part in cooking or farming. Visitors are also offered (7) ... option (8) ... staying the night in the village.

An eco-tourism project (1) ... a difference has just been launched in the South Luangwa National Park in Zambia. Tourists will be offered (2) ... chance to encounter a wide range of wildlife and (3) ... great deal more. This project was set (4) ... by the local villagers who were suffering (5) ... a downturn in the national economy. They decided to raise money themselves to cover the cost of educational and welfare projects. Tourists will be invited to live the African Village Experience. The tours are led by English speaking villagers, and visitors can choose (6) ... activities such as meeting the local healer to taking part in cooking or farming. Visitors are also offered (7) ... option (8) ... staying the night in the village.

An eco-tourism project (1) ... a difference has just been launched in the South Luangwa National Park in Zambia. Tourists will be offered (2) ... chance to encounter a wide range of wildlife and (3) ... great deal more. This project was set (4) ... by the local villagers who were suffering (5) ... a downturn in the national economy. They decided to raise money themselves to cover the cost of educational and welfare projects. Tourists will be invited to live the African Village Experience. The tours are led by English speaking villagers, and visitors can choose (6) ... activities such as meeting the local healer to taking part in cooking or farming. Visitors are also offered (7) ... option (8) ... staying the night in the village.

An eco-tourism project (1) ... a difference has just been launched in the South Luangwa National Park in Zambia. Tourists will be offered (2) ... chance to encounter a wide range of wildlife and (3) ... great deal more. This project was set (4) ... by the local villagers who were suffering (5) ... a downturn in the national economy. They decided to raise money themselves to cover the cost of educational and welfare projects. Tourists will be invited to live the African Village Experience. The tours are led by English speaking villagers, and visitors can choose (6) ... activities such as meeting the local healer to taking part in cooking or farming. Visitors are also offered (7) ... option (8) ... staying the night in the village.

An eco-tourism project (1) ... a difference has just been launched in the South Luangwa National Park in Zambia. Tourists will be offered (2) ... chance to encounter a wide range of wildlife and (3) ... great deal more. This project was set (4) ... by the local villagers who were suffering (5) ... a downturn in the national economy. They decided to raise money themselves to cover the cost of educational and welfare projects. Tourists will be invited to live the African Village Experience. The tours are led by English speaking villagers, and visitors can choose (6) ... activities such as meeting the local healer to taking part in cooking or farming. Visitors are also offered (7) ... option (8) ... staying the night in the village.

An eco-tourism project (1) ... a difference has just been launched in the South Luangwa National Park in Zambia. Tourists will be offered (2) ... chance to encounter a wide range of wildlife and (3) ... great deal more. This project was set (4) ... by the local villagers who were suffering (5) ... a downturn in the national economy. They decided to raise money themselves to cover the cost of educational and welfare projects. Tourists will be invited to live the African Village Experience. The tours are led by English speaking villagers, and visitors can choose (6) ... activities such as meeting the local healer to taking part in cooking or farming. Visitors are also offered (7) ... option (8) ... staying the night in the village.

Climbing Everest and walking up a mountain in Scotland may seem like completely (1) ... activity, but both require (2) ... preparation. (3) ... injury and even death can occur, even on an apparently easy route if a few basic guidelines are not followed. Firstly, and perhaps most importantly, (4) ... the weather forecast before you (5) ... If you have any doubts at all, (6) ... your trip until conditions improve. Ensure that you have the proper equipment. Your list should (7) ... a good pair of walking boots, a thick jumper and a good (8) ... waterproof jacket. Be sure to take food supplies in case you (9) ... against problems on the mountainside and (10) ... having to spend the night there.

Climbing Everest and walking up a mountain in Scotland may seem like completely (1) ... activity, but both require (2) ... preparation. (3) ... injury and even death can occur, even on an apparently easy route if a few basic guidelines are not followed. Firstly, and perhaps most importantly, (4) ... the weather forecast before you (5) ... If you have any doubts at all, (6) ... your trip until conditions improve. Ensure that you have the proper equipment. Your list should (7) ... a good pair of walking boots, a thick jumper and a good (8) ... waterproof jacket. Be sure to take food supplies in case you (9) ... against problems on the mountainside and (10) ... having to spend the night there.

Climbing Everest and walking up a mountain in Scotland may seem like completely (1) ... activity, but both require (2) ... preparation. (3) ... injury and even death can occur, even on an apparently easy route if a few basic guidelines are not followed. Firstly, and perhaps most importantly, (4) ... the weather forecast before you (5) ... If you have any doubts at all, (6) ... your trip until conditions improve. Ensure that you have the proper equipment. Your list should (7) ... a good pair of walking boots, a thick jumper and a good (8) ... waterproof jacket. Be sure to take food supplies in case you (9) ... against problems on the mountainside and (10) ... having to spend the night there.

Climbing Everest and walking up a mountain in Scotland may seem like completely (1) ... activity, but both require (2) ... preparation. (3) ... injury and even death can occur, even on an apparently easy route if a few basic guidelines are not followed. Firstly, and perhaps most importantly, (4) ... the weather forecast before you (5) ... If you have any doubts at all, (6) ... your trip until conditions improve. Ensure that you have the proper equipment. Your list should (7) ... a good pair of walking boots, a thick jumper and a good (8) ... waterproof jacket. Be sure to take food supplies in case you (9) ... against problems on the mountainside and (10) ... having to spend the night there.

Climbing Everest and walking up a mountain in Scotland may seem like completely (1) ... activity, but both require (2) ... preparation. (3) ... injury and even death can occur, even on an apparently easy route if a few basic guidelines are not followed. Firstly, and perhaps most importantly, (4) ... the weather forecast before you (5) ... If you have any doubts at all, (6) ... your trip until conditions improve. Ensure that you have the proper equipment. Your list should (7) ... a good pair of walking boots, a thick jumper and a good (8) ... waterproof jacket. Be sure to take food supplies in case you (9) ... against problems on the mountainside and (10) ... having to spend the night there.

Climbing Everest and walking up a mountain in Scotland may seem like completely (1) ... activity, but both require (2) ... preparation. (3) ... injury and even death can occur, even on an apparently easy route if a few basic guidelines are not followed. Firstly, and perhaps most importantly, (4) ... the weather forecast before you (5) ... If you have any doubts at all, (6) ... your trip until conditions improve. Ensure that you have the proper equipment. Your list should (7) ... a good pair of walking boots, a thick jumper and a good (8) ... waterproof jacket. Be sure to take food supplies in case you (9) ... against problems on the mountainside and (10) ... having to spend the night there.

Climbing Everest and walking up a mountain in Scotland may seem like completely (1) ... activity, but both require (2) ... preparation. (3) ... injury and even death can occur, even on an apparently easy route if a few basic guidelines are not followed. Firstly, and perhaps most importantly, (4) ... the weather forecast before you (5) ... If you have any doubts at all, (6) ... your trip until conditions improve. Ensure that you have the proper equipment. Your list should (7) ... a good pair of walking boots, a thick jumper and a good (8) ... waterproof jacket. Be sure to take food supplies in case you (9) ... against problems on the mountainside and (10) ... having to spend the night there.

Climbing Everest and walking up a mountain in Scotland may seem like completely (1) ... activity, but both require (2) ... preparation. (3) ... injury and even death can occur, even on an apparently easy route if a few basic guidelines are not followed. Firstly, and perhaps most importantly, (4) ... the weather forecast before you (5) ... If you have any doubts at all, (6) ... your trip until conditions improve. Ensure that you have the proper equipment. Your list should (7) ... a good pair of walking boots, a thick jumper and a good (8) ... waterproof jacket. Be sure to take food supplies in case you (9) ... against problems on the mountainside and (10) ... having to spend the night there.

Climbing Everest and walking up a mountain in Scotland may seem like completely (1) ... activity, but both require (2) ... preparation. (3) ... injury and even death can occur, even on an apparently easy route if a few basic guidelines are not followed. Firstly, and perhaps most importantly, (4) ... the weather forecast before you (5) ... If you have any doubts at all, (6) ... your trip until conditions improve. Ensure that you have the proper equipment. Your list should (7) ... a good pair of walking boots, a thick jumper and a good (8) ... waterproof jacket. Be sure to take food supplies in case you (9) ... against problems on the mountainside and (10) ... having to spend the night there.

Climbing Everest and walking up a mountain in Scotland may seem like completely (1) ... activity, but both require (2) ... preparation. (3) ... injury and even death can occur, even on an apparently easy route if a few basic guidelines are not followed. Firstly, and perhaps most importantly, (4) ... the weather forecast before you (5) ... If you have any doubts at all, (6) ... your trip until conditions improve. Ensure that you have the proper equipment. Your list should (7) ... a good pair of walking boots, a thick jumper and a good (8) ... waterproof jacket. Be sure to take food supplies in case you (9) ... against problems on the mountainside and (10) ... having to spend the night there.

§ 1. I crept to the door and listened; they were snoring, so I tiptoed along and got down the stairs safely. I couldn’t hear a sound. I looked through a crack in the dining room door and saw that the men who were watching the body were all asleep in their chairs. The door of the parlour, where the corpse was lying, was open, and there was a candle in each room. I went past, but the front door was locked and the key was missing.

§ 2. Just then I heard footsteps on the stairs behind me. I silently ran into the parlour and cast my eyes about the room. The only place I could see to hide the bag was in the coffin. The lid was pushed along, showing the dead man’s face with a wet cloth over it. 1 tucked the money-bag in under the lid, just below where his hands were crossed. That sent a shiver down my spine; his hands were so cold. Then I ran back across the room and hid behind the door.

§ 3. The person coming was Mary Jane. She went to the coffin, knelt down and looked in. Then she put her handkerchief to her face and I sensed that she had started crying, although I couldn’t hear her and her back was turned. I slipped out. Looking back into the dining room, I saw that the watchers were still all asleep and I hadn’t been seen.

§ 4. As I climbed back into bed, I was a little shaken after all the risks I had just taken. I thought to myself it would be alright if it stayed where it was because when we had gone another hundred miles or two down the river I could write to Mary Jane and she c6uld dig him up and get it. But that’s not going to happen because they’ll find the money when they screw the lid on. The king will get it back and nobody else will get their hands on it again. Of course, I wanted to sneak back down and get it, but 1 didn’t dare to try. Every minute it was getting later now. Soon some of the watchers would start waking up and I might get caught  — caught with six thousand dollars in my hands. How could I explain that?

§ 1. I crept to the door and listened; they were snoring, so I tiptoed along and got down the stairs safely. I couldn’t hear a sound. I looked through a crack in the dining room door and saw that the men who were watching the body were all asleep in their chairs. The door of the parlour, where the corpse was lying, was open, and there was a candle in each room. I went past, but the front door was locked and the key was missing.

§ 2. Just then I heard footsteps on the stairs behind me. I silently ran into the parlour and cast my eyes about the room. The only place I could see to hide the bag was in the coffin. The lid was pushed along, showing the dead man’s face with a wet cloth over it. 1 tucked the money-bag in under the lid, just below where his hands were crossed. That sent a shiver down my spine; his hands were so cold. Then I ran back across the room and hid behind the door.

§ 3. The person coming was Mary Jane. She went to the coffin, knelt down and looked in. Then she put her handkerchief to her face and I sensed that she had started crying, although I couldn’t hear her and her back was turned. I slipped out. Looking back into the dining room, I saw that the watchers were still all asleep and I hadn’t been seen.

§ 4. As I climbed back into bed, I was a little shaken after all the risks I had just taken. I thought to myself it would be alright if it stayed where it was because when we had gone another hundred miles or two down the river I could write to Mary Jane and she c6uld dig him up and get it. But that’s not going to happen because they’ll find the money when they screw the lid on. The king will get it back and nobody else will get their hands on it again. Of course, I wanted to sneak back down and get it, but 1 didn’t dare to try. Every minute it was getting later now. Soon some of the watchers would start waking up and I might get caught  — caught with six thousand dollars in my hands. How could I explain that?

§ 1. I crept to the door and listened; they were snoring, so I tiptoed along and got down the stairs safely. I couldn’t hear a sound. I looked through a crack in the dining room door and saw that the men who were watching the body were all asleep in their chairs. The door of the parlour, where the corpse was lying, was open, and there was a candle in each room. I went past, but the front door was locked and the key was missing.

§ 2. Just then I heard footsteps on the stairs behind me. I silently ran into the parlour and cast my eyes about the room. The only place I could see to hide the bag was in the coffin. The lid was pushed along, showing the dead man’s face with a wet cloth over it. 1 tucked the money-bag in under the lid, just below where his hands were crossed. That sent a shiver down my spine; his hands were so cold. Then I ran back across the room and hid behind the door.

§ 3. The person coming was Mary Jane. She went to the coffin, knelt down and looked in. Then she put her handkerchief to her face and I sensed that she had started crying, although I couldn’t hear her and her back was turned. I slipped out. Looking back into the dining room, I saw that the watchers were still all asleep and I hadn’t been seen.

§ 4. As I climbed back into bed, I was a little shaken after all the risks I had just taken. I thought to myself it would be alright if it stayed where it was because when we had gone another hundred miles or two down the river I could write to Mary Jane and she c6uld dig him up and get it. But that’s not going to happen because they’ll find the money when they screw the lid on. The king will get it back and nobody else will get their hands on it again. Of course, I wanted to sneak back down and get it, but 1 didn’t dare to try. Every minute it was getting later now. Soon some of the watchers would start waking up and I might get caught  — caught with six thousand dollars in my hands. How could I explain that?

§ 1. I crept to the door and listened; they were snoring, so I tiptoed along and got down the stairs safely. I couldn’t hear a sound. I looked through a crack in the dining room door and saw that the men who were watching the body were all asleep in their chairs. The door of the parlour, where the corpse was lying, was open, and there was a candle in each room. I went past, but the front door was locked and the key was missing.

§ 2. Just then I heard footsteps on the stairs behind me. I silently ran into the parlour and cast my eyes about the room. The only place I could see to hide the bag was in the coffin. The lid was pushed along, showing the dead man’s face with a wet cloth over it. 1 tucked the money-bag in under the lid, just below where his hands were crossed. That sent a shiver down my spine; his hands were so cold. Then I ran back across the room and hid behind the door.

§ 3. The person coming was Mary Jane. She went to the coffin, knelt down and looked in. Then she put her handkerchief to her face and I sensed that she had started crying, although I couldn’t hear her and her back was turned. I slipped out. Looking back into the dining room, I saw that the watchers were still all asleep and I hadn’t been seen.

§ 4. As I climbed back into bed, I was a little shaken after all the risks I had just taken. I thought to myself it would be alright if it stayed where it was because when we had gone another hundred miles or two down the river I could write to Mary Jane and she c6uld dig him up and get it. But that’s not going to happen because they’ll find the money when they screw the lid on. The king will get it back and nobody else will get their hands on it again. Of course, I wanted to sneak back down and get it, but 1 didn’t dare to try. Every minute it was getting later now. Soon some of the watchers would start waking up and I might get caught  — caught with six thousand dollars in my hands. How could I explain that?

§ 1. I crept to the door and listened; they were snoring, so I tiptoed along and got down the stairs safely. I couldn’t hear a sound. I looked through a crack in the dining room door and saw that the men who were watching the body were all asleep in their chairs. The door of the parlour, where the corpse was lying, was open, and there was a candle in each room. I went past, but the front door was locked and the key was missing.

§ 2. Just then I heard footsteps on the stairs behind me. I silently ran into the parlour and cast my eyes about the room. The only place I could see to hide the bag was in the coffin. The lid was pushed along, showing the dead man’s face with a wet cloth over it. 1 tucked the money-bag in under the lid, just below where his hands were crossed. That sent a shiver down my spine; his hands were so cold. Then I ran back across the room and hid behind the door.

§ 3. The person coming was Mary Jane. She went to the coffin, knelt down and looked in. Then she put her handkerchief to her face and I sensed that she had started crying, although I couldn’t hear her and her back was turned. I slipped out. Looking back into the dining room, I saw that the watchers were still all asleep and I hadn’t been seen.

§ 4. As I climbed back into bed, I was a little shaken after all the risks I had just taken. I thought to myself it would be alright if it stayed where it was because when we had gone another hundred miles or two down the river I could write to Mary Jane and she c6uld dig him up and get it. But that’s not going to happen because they’ll find the money when they screw the lid on. The king will get it back and nobody else will get their hands on it again. Of course, I wanted to sneak back down and get it, but 1 didn’t dare to try. Every minute it was getting later now. Soon some of the watchers would start waking up and I might get caught  — caught with six thousand dollars in my hands. How could I explain that?

§ 1. I crept to the door and listened; they were snoring, so I tiptoed along and got down the stairs safely. I couldn’t hear a sound. I looked through a crack in the dining room door and saw that the men who were watching the body were all asleep in their chairs. The door of the parlour, where the corpse was lying, was open, and there was a candle in each room. I went past, but the front door was locked and the key was missing.

§ 2. Just then I heard footsteps on the stairs behind me. I silently ran into the parlour and cast my eyes about the room. The only place I could see to hide the bag was in the coffin. The lid was pushed along, showing the dead man’s face with a wet cloth over it. 1 tucked the money-bag in under the lid, just below where his hands were crossed. That sent a shiver down my spine; his hands were so cold. Then I ran back across the room and hid behind the door.

§ 3. The person coming was Mary Jane. She went to the coffin, knelt down and looked in. Then she put her handkerchief to her face and I sensed that she had started crying, although I couldn’t hear her and her back was turned. I slipped out. Looking back into the dining room, I saw that the watchers were still all asleep and I hadn’t been seen.

§ 4. As I climbed back into bed, I was a little shaken after all the risks I had just taken. I thought to myself it would be alright if it stayed where it was because when we had gone another hundred miles or two down the river I could write to Mary Jane and she c6uld dig him up and get it. But that’s not going to happen because they’ll find the money when they screw the lid on. The king will get it back and nobody else will get their hands on it again. Of course, I wanted to sneak back down and get it, but 1 didn’t dare to try. Every minute it was getting later now. Soon some of the watchers would start waking up and I might get caught  — caught with six thousand dollars in my hands. How could I explain that?

I had been invited by Jack and his son John to participate in a film they were making about shark diving. I had been diving and writing about the ocean for a decade and had frequently found myself in the water with sharks. Never intentionally. They just appeared, unwanted. The idea of swimming with them seemed dangerous. Still, Jack McKen- ney had asked me to participate. 1)____

To attract the sharks, we laid out plastic boxes wired together and filled with frozen fish. Once dropped over the side, the boxes lay half in and half out of the water: As the bait thawed, a long line of blood and fish followed us. (2)____

The stars of the film promised to be blue sharks. Fast and slim-bodied with pointed snouts, they grow to 12 feet in length and are known to attack humans. (3)____I thought someone was welcoming our visitors by pounding rapidly on a large bass drum. Then I realised that the fierce pounding was the beating of my own heart.

The shark cage sat on the deck. It was mainly constructed from wire. The idea was to swim into the cage once under the water. The only hand-held weapon I was given was a broom handle.

By the time I got to the cage, five sharks were swimming around us. As they glided past, they seemed curious, and'I felt like something hung up in a meat market. (4)____Strangely, proximity seemed to calm my fear.

We began to hand-feed the sharks as they cruised by the cage. Several times, I offered a fish, then yanked it away at the crucial moment. Then I felt guilty about teasing the monsters and began to want more contact.

I decided to go outside the cage. (5)____“They tend to hit some part of your body that is not moving. Usually this means the head.”

Outside the cage and checking in all directions, I moved to where Jack was shooting one particular shark for the film. (6)____It put on a slight burst of speed and glided in my direction. I had ten seconds to get my own broom handle in position, and when the shark was a foot away, I hit it firmly, on the snout. The shark twisted away, and disappeared into the depths. Relieved, I realised the mildest show of aggression seemed to put these fellows off their feed.

I had been invited by Jack and his son John to participate in a film they were making about shark diving. I had been diving and writing about the ocean for a decade and had frequently found myself in the water with sharks. Never intentionally. They just appeared, unwanted. The idea of swimming with them seemed dangerous. Still, Jack McKen- ney had asked me to participate. 1)____

To attract the sharks, we laid out plastic boxes wired together and filled with frozen fish. Once dropped over the side, the boxes lay half in and half out of the water: As the bait thawed, a long line of blood and fish followed us. (2)____

The stars of the film promised to be blue sharks. Fast and slim-bodied with pointed snouts, they grow to 12 feet in length and are known to attack humans. (3)____I thought someone was welcoming our visitors by pounding rapidly on a large bass drum. Then I realised that the fierce pounding was the beating of my own heart.

The shark cage sat on the deck. It was mainly constructed from wire. The idea was to swim into the cage once under the water. The only hand-held weapon I was given was a broom handle.

By the time I got to the cage, five sharks were swimming around us. As they glided past, they seemed curious, and'I felt like something hung up in a meat market. (4)____Strangely, proximity seemed to calm my fear.

We began to hand-feed the sharks as they cruised by the cage. Several times, I offered a fish, then yanked it away at the crucial moment. Then I felt guilty about teasing the monsters and began to want more contact.

I decided to go outside the cage. (5)____“They tend to hit some part of your body that is not moving. Usually this means the head.”

Outside the cage and checking in all directions, I moved to where Jack was shooting one particular shark for the film. (6)____It put on a slight burst of speed and glided in my direction. I had ten seconds to get my own broom handle in position, and when the shark was a foot away, I hit it firmly, on the snout. The shark twisted away, and disappeared into the depths. Relieved, I realised the mildest show of aggression seemed to put these fellows off their feed.

I had been invited by Jack and his son John to participate in a film they were making about shark diving. I had been diving and writing about the ocean for a decade and had frequently found myself in the water with sharks. Never intentionally. They just appeared, unwanted. The idea of swimming with them seemed dangerous. Still, Jack McKen- ney had asked me to participate. 1)____

To attract the sharks, we laid out plastic boxes wired together and filled with frozen fish. Once dropped over the side, the boxes lay half in and half out of the water: As the bait thawed, a long line of blood and fish followed us. (2)____

The stars of the film promised to be blue sharks. Fast and slim-bodied with pointed snouts, they grow to 12 feet in length and are known to attack humans. (3)____I thought someone was welcoming our visitors by pounding rapidly on a large bass drum. Then I realised that the fierce pounding was the beating of my own heart.

The shark cage sat on the deck. It was mainly constructed from wire. The idea was to swim into the cage once under the water. The only hand-held weapon I was given was a broom handle.

By the time I got to the cage, five sharks were swimming around us. As they glided past, they seemed curious, and'I felt like something hung up in a meat market. (4)____Strangely, proximity seemed to calm my fear.

We began to hand-feed the sharks as they cruised by the cage. Several times, I offered a fish, then yanked it away at the crucial moment. Then I felt guilty about teasing the monsters and began to want more contact.

I decided to go outside the cage. (5)____“They tend to hit some part of your body that is not moving. Usually this means the head.”

Outside the cage and checking in all directions, I moved to where Jack was shooting one particular shark for the film. (6)____It put on a slight burst of speed and glided in my direction. I had ten seconds to get my own broom handle in position, and when the shark was a foot away, I hit it firmly, on the snout. The shark twisted away, and disappeared into the depths. Relieved, I realised the mildest show of aggression seemed to put these fellows off their feed.

I had been invited by Jack and his son John to participate in a film they were making about shark diving. I had been diving and writing about the ocean for a decade and had frequently found myself in the water with sharks. Never intentionally. They just appeared, unwanted. The idea of swimming with them seemed dangerous. Still, Jack McKen- ney had asked me to participate. 1)____

To attract the sharks, we laid out plastic boxes wired together and filled with frozen fish. Once dropped over the side, the boxes lay half in and half out of the water: As the bait thawed, a long line of blood and fish followed us. (2)____

The stars of the film promised to be blue sharks. Fast and slim-bodied with pointed snouts, they grow to 12 feet in length and are known to attack humans. (3)____I thought someone was welcoming our visitors by pounding rapidly on a large bass drum. Then I realised that the fierce pounding was the beating of my own heart.

The shark cage sat on the deck. It was mainly constructed from wire. The idea was to swim into the cage once under the water. The only hand-held weapon I was given was a broom handle.

By the time I got to the cage, five sharks were swimming around us. As they glided past, they seemed curious, and'I felt like something hung up in a meat market. (4)____Strangely, proximity seemed to calm my fear.

We began to hand-feed the sharks as they cruised by the cage. Several times, I offered a fish, then yanked it away at the crucial moment. Then I felt guilty about teasing the monsters and began to want more contact.

I decided to go outside the cage. (5)____“They tend to hit some part of your body that is not moving. Usually this means the head.”

Outside the cage and checking in all directions, I moved to where Jack was shooting one particular shark for the film. (6)____It put on a slight burst of speed and glided in my direction. I had ten seconds to get my own broom handle in position, and when the shark was a foot away, I hit it firmly, on the snout. The shark twisted away, and disappeared into the depths. Relieved, I realised the mildest show of aggression seemed to put these fellows off their feed.

I had been invited by Jack and his son John to participate in a film they were making about shark diving. I had been diving and writing about the ocean for a decade and had frequently found myself in the water with sharks. Never intentionally. They just appeared, unwanted. The idea of swimming with them seemed dangerous. Still, Jack McKen- ney had asked me to participate. 1)____

To attract the sharks, we laid out plastic boxes wired together and filled with frozen fish. Once dropped over the side, the boxes lay half in and half out of the water: As the bait thawed, a long line of blood and fish followed us. (2)____

The stars of the film promised to be blue sharks. Fast and slim-bodied with pointed snouts, they grow to 12 feet in length and are known to attack humans. (3)____I thought someone was welcoming our visitors by pounding rapidly on a large bass drum. Then I realised that the fierce pounding was the beating of my own heart.

The shark cage sat on the deck. It was mainly constructed from wire. The idea was to swim into the cage once under the water. The only hand-held weapon I was given was a broom handle.

By the time I got to the cage, five sharks were swimming around us. As they glided past, they seemed curious, and'I felt like something hung up in a meat market. (4)____Strangely, proximity seemed to calm my fear.

We began to hand-feed the sharks as they cruised by the cage. Several times, I offered a fish, then yanked it away at the crucial moment. Then I felt guilty about teasing the monsters and began to want more contact.

I decided to go outside the cage. (5)____“They tend to hit some part of your body that is not moving. Usually this means the head.”

Outside the cage and checking in all directions, I moved to where Jack was shooting one particular shark for the film. (6)____It put on a slight burst of speed and glided in my direction. I had ten seconds to get my own broom handle in position, and when the shark was a foot away, I hit it firmly, on the snout. The shark twisted away, and disappeared into the depths. Relieved, I realised the mildest show of aggression seemed to put these fellows off their feed.

I had been invited by Jack and his son John to participate in a film they were making about shark diving. I had been diving and writing about the ocean for a decade and had frequently found myself in the water with sharks. Never intentionally. They just appeared, unwanted. The idea of swimming with them seemed dangerous. Still, Jack McKen- ney had asked me to participate. 1)____

To attract the sharks, we laid out plastic boxes wired together and filled with frozen fish. Once dropped over the side, the boxes lay half in and half out of the water: As the bait thawed, a long line of blood and fish followed us. (2)____

The stars of the film promised to be blue sharks. Fast and slim-bodied with pointed snouts, they grow to 12 feet in length and are known to attack humans. (3)____I thought someone was welcoming our visitors by pounding rapidly on a large bass drum. Then I realised that the fierce pounding was the beating of my own heart.

The shark cage sat on the deck. It was mainly constructed from wire. The idea was to swim into the cage once under the water. The only hand-held weapon I was given was a broom handle.

By the time I got to the cage, five sharks were swimming around us. As they glided past, they seemed curious, and'I felt like something hung up in a meat market. (4)____Strangely, proximity seemed to calm my fear.

We began to hand-feed the sharks as they cruised by the cage. Several times, I offered a fish, then yanked it away at the crucial moment. Then I felt guilty about teasing the monsters and began to want more contact.

I decided to go outside the cage. (5)____“They tend to hit some part of your body that is not moving. Usually this means the head.”

Outside the cage and checking in all directions, I moved to where Jack was shooting one particular shark for the film. (6)____It put on a slight burst of speed and glided in my direction. I had ten seconds to get my own broom handle in position, and when the shark was a foot away, I hit it firmly, on the snout. The shark twisted away, and disappeared into the depths. Relieved, I realised the mildest show of aggression seemed to put these fellows off their feed.

Acting is certainly not a career for anyone who likes (1) ... Actors who are at the start of their careers, when they are still (2) ..., must go where the work is. This means they never really know the (3) ... of time they will spend in any one place. There is a lot of (4) ... in the theatre, too.

Acting is certainly not a career for anyone who likes (1) ... Actors who are at the start of their careers, when they are still (2) ..., must go where the work is. This means they never really know the (3) ... of time they will spend in any one place. There is a lot of (4) ... in the theatre, too.

Acting is certainly not a career for anyone who likes (1) ... Actors who are at the start of their careers, when they are still (2) ..., must go where the work is. This means they never really know the (3) ... of time they will spend in any one place. There is a lot of (4) ... in the theatre, too.

Acting is certainly not a career for anyone who likes (1) ... Actors who are at the start of their careers, when they are still (2) ..., must go where the work is. This means they never really know the (3) ... of time they will spend in any one place. There is a lot of (4) ... in the theatre, too.

The library profession attracts people (1) ... many different interests, because of the wide range of work that librarians do. For (2) ..., the profession may appeal to someone who wants to work with children in an elementary school library. A person interested in research may choose to work in a library which scholars use for their investigations. Some people become librarians to help libraries adapt (3) ... advanced technology, while people (4) ... have expert knowledge of a foreign language, computers, or a specific subject may choose this career to make use of their special skills.

The library profession attracts people (1) ... many different interests, because of the wide range of work that librarians do. For (2) ..., the profession may appeal to someone who wants to work with children in an elementary school library. A person interested in research may choose to work in a library which scholars use for their investigations. Some people become librarians to help libraries adapt (3) ... advanced technology, while people (4) ... have expert knowledge of a foreign language, computers, or a specific subject may choose this career to make use of their special skills.

The library profession attracts people (1) ... many different interests, because of the wide range of work that librarians do. For (2) ..., the profession may appeal to someone who wants to work with children in an elementary school library. A person interested in research may choose to work in a library which scholars use for their investigations. Some people become librarians to help libraries adapt (3) ... advanced technology, while people (4) ... have expert knowledge of a foreign language, computers, or a specific subject may choose this career to make use of their special skills.

The library profession attracts people (1) ... many different interests, because of the wide range of work that librarians do. For (2) ..., the profession may appeal to someone who wants to work with children in an elementary school library. A person interested in research may choose to work in a library which scholars use for their investigations. Some people become librarians to help libraries adapt (3) ... advanced technology, while people (4) ... have expert knowledge of a foreign language, computers, or a specific subject may choose this career to make use of their special skills.